Picture | Original |
Copy | Comments |
|
| Perosa Ivory Sopranino in ivory made in two pieces
at around A410 in the private collection of Guido Klemisch |
Guido Klemisch makes a copy of this instrument as a soprano at A415
in three pieces. | Listed by Bruce
Haynes, the only other known instrument by the maker Perosa is a soprano
at A410 in Vienna. Dan Laurin has played on this original
instrument and states that it actually plays at A415. Note that hole 7
(of the sopranino) is in a straight line with the
other holes and cannot be adjusted, as the instrument is made in two
pieces. The soprano copy does not have this problem, as it is in three
pieces. |
|
| Rosenborg Soprano c. 1640-78 at A478 in narwhale
tusk (drawing by Ture Bergstrøm) |
Ralf Ehlert boxwood A415 2002 | The
instrument has been scaled to A415 from the original pitch which was
A478 in narwhale tusk. You can hear Eva Legene playing a Morgan copy in
narwhale tusk on RONDO RCD 8347
Track 7 (Van Eyck)
X
and
Track 9 (Schop)
X |
|
| Richard Haka Ivory
Soprano c.1680 Edinburgh at approx A440 (drawing by F. Von Huene) and
anon ivory soprano at the Hague approx A532 |
Heinz Ammann olive A415 2002 | The
outer profile follows Haka, but another early baroque recorder
corresponds more accurately to Ammann's own model - a small ivory
instrument (approx A532) in the Museum Den Haag which he measured in
1978. It has a slightly conical bore which narrows considerably between
holes 5 and 6. The instrument has been scaled to A415.
You can hear Conrad Steinman playing an Ammann Haka made in 1986 on
CLAVES CD50-8103 Track 2: Dario Castello Sonata Prima.
X |
|
| Richard Haka
Soprano, ebony with ivory mounts c. 1685-1690 Vermillion Shrine to
Music | | |
|
| Richard Haka
Soprano, ebony with ivory mounts c. 1685-1690 Frans Bruggen Collection
(drawing) | Tim Cranmore
boxwood with artificial ivory mounts A415 2001 |
You can hear the original Haka on
Frans Bruggen Edition Vol. 4 (Early Baroque Recorder Music - Teldec
4509-97466-2) Track 4 (Van Eyck)
X |
|
 |
Thomas Boekhout Soprano A408
c. 1700 |
Tom Prescott boxwood A415 |
Original is ebony with ivory mounts, single holes, baroque fingering in
Crosby Brown Collection - NY Metropolitan Museum of Art |
|
| Terton Soprano - Gemeente-Museum The Hague |
| You can hear the original Terton on
Frans Bruggen
Edition Vol. 4 (Early Baroque Recorder Music) Track 3 (Van Eyck)
X
also on:
Saskia Coolen (Jacobus
Nozeman, Son 4, Allegro
X |
|
| Terton Soprano - The Hague (book photo) - boxwood
with silver mounts at A412 |
Jacqueline Sorel boxwood at A415 2002 |
You can hear the original Terton on
Frans Bruggen
Edition Vol. 4 (Early Baroque Recorder Music) Track 3 (Van Eyck)
X
also on:
Saskia Coolen (Jacobus
Nozeman, Son 4, Allegro
X |
|
| Terton Soprano - Window Detail (book photo) |
Jacqueline Sorel boxwood A415 2002 |
You can hear the original Terton on
Frans Bruggen
Edition Vol. 4 (Early Baroque Recorder Music) Track 3 (Van Eyck)
X
also on:
Saskia Coolen (Jacobus
Nozeman, Son 4, Allegro
X |
|
| Steenbergen
Soprano boxwood - Frans Bruggen Collection (drawing) |
Jean-Luc Boudreau boxwood A415 2001, Moeck |
|
|
| Bressan
4th Flute, Oxford - stained boxwood. |
Ralf Ehlert | The 4th flute is a
soprano in Bb, useful for some Dieupart suites and other French flute
suites in flat keys. |
|
| Stanesby Sr.
Sixth Flute in ivory - Dayton Miller Collection 1214 |
| Sixth flutes are sopranos in d, an octave higher
than the voice flute they are suitable for some English concertos as
well as occasional French flute music with a low tessitura. |
|
| W. Beukers Sixth Flute - Washington, Dayton Miller
Collection 1257 | | Sixth flutes
are sopranos in d, an octave higher than the voice flute they are
suitable for some English concertos as well as occasional French flute
music with a low tessitura. |
 | W. Beukers Gemeente-Museum The Hague |
| You can hear the original Beukers
soprano on Frans
Bruggen Edition Vol. 4 (Early Baroque Recorder Music) Track 2 (Van Eyck)
X |
